Hristina Davul
M.Bakhtin :
What Michael Bakhtin believes that “the text often contain double discourses”
(Hamlet,343)
Political ideology of the official culture and reflecting the
popular or traditional culture
This means
he does not care just about the hierarchy, the kingdom, and its politics, but
also about common people and their tradition. Because if the book jus contains:
the political ideology of the official culture, the book is going to be so
artificial and unbelievable. In order to be more real and give us more
references about that society, He is explaining us also the commoners and their
traditions too. “The discourse of Carnival, as Bakhtin understood it, is
infused by the down-to-earth priorities and values held by the underprivileged
or plebeian “second world” of commoners, or “folk”. Because that world is concerned
with basic issues of survival, with the substance and reproduction of life, the
language of Carnival is substantially concerned with the body, with eating,
with sex, and with death (343)
“But
something in between” I like this word of Bakhtin about the discourse of
carnival in the play Hamlet everything is in between. The tone is in between
half dark and half joyful,half funny and half serious, half real and unreal,
half aware and half mad. This makes the play grotesque: “neither simply “funny”
as we might say about a situation comedy, nor “serious”As we expect a high
drama like Hamlet, but something in between”(343)
“Claudius
is something like Carnival’s lord of Misrule (343) Claudius by killing his
brother hamlet, in a way he insults the rules of the society too. His discourse
generally is carnivalistic. He is disrespectful even to the death of the king
and makes celebrations on it. With this way “mingling sex and death, comedy and
tragedy” (344). However, we cannot say that so much he is mocking the authority;
the only aim of him is to wear the crown. According
to my other research “Claudius is a bad man, but a good king” I agree to this
idea because really he is maintaining everything about the society in a good
way. On the other hand, he is a bad king because he killed his brother and
married with his wife. Therefore being a bad man does not mean not being a food
ruler. Machiavelli rules can prove this idea. 5.1.1
The same carnivalistic
situation appears also in the grave-diggers speech, “who typifying
underprivileged labor in their work, their language, and the [ir] social
attitudes”(344). According to this gravedigger or clowns Ophelia has committed
suicide and she should not be buried in the way of
“Christian burial” .But because she is a gentle women, is given the right but
because she is not privileged and she has money. Money and being royal can change
everything. Nobody can say to her anything. What is carnivalistic about this
situation is that the comic dialogue that they are on the issue of death and
life. These two clowns, they are aware of everything. They are showing us the
political situation and the society’s values of the period. They are reflecting
the idea of justice. There is no justice in this society because they clearly
know that if somebody else would do what Ophelia did, they were not let them to
make the burial ceremony. But they are not sad about this, the opposite; they
are enjoying the situation because they know that the only real rules of the
world are “death and change”. Because they know this reality, they do not care
about it and they accept it as its. Hamlet after this speech, he understands
that we are running after nothing.
Very nice. I like the notion of carnival in Hamlet, and I think Bakhtin's ideas throw a lot of light on the play and our discussion of it. Now what about comedy? Do you think that the idea of the carnivalesque and the turning of things upside-down could apply also to Much Ado?
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